Friday, April 19, 2019

Review 2019-05 Missile To The Moon (1958)









Director:
 Richard E. Cunha (as Richard Cunha)
Writers:
 H.E. Barrie (screenplay), Vincent Fotre (screenplay)
Stars:


Synopsis:
A former resident of the moon builds his own rocket with some government funding, but when two fugitives from justice stumble into his project he recruits them as his crew for a very strange homecoming.

Review:
The fifties must have been an incredible era and you need only look at the pop culture of the time to see the evidence. This has to be the fifth or sixth film from that era that puts forth the notion of space exploration as a private venture (see Nude on the Moon). When you watch these pictures there is never a hint of the obstructions and setbacks needed to overcome and reach space. It’s as if our entire culture walked around thinking they could do just about anything, unlike now where everything is our fault. The continual theme was that all you need is good old American ingenuity and know how. Anyone with enough gumption can take a few old water heaters and tinker a moon rocket in the back yard. It wasn’t until The Right Stuff, that we learned what was really involved. Why let reality stand in the way of fun; let’s go to the moon.
Our story starts with a daring prison break by a couple of juvenile delinquents in their early thirties. Lon and Garry, I don’t know which is which, are on the run from the law. If you ever do watch this, and you are not too young, you’ll understand why I call them Lenny and Squiggy. Lenny seems to have the brains and suggests they hide at the local semi-government proving grounds and since it’s sort of private, they think they’ll be safe. Eventually they’re discovered by Dirk, the owner of the rocket. Instead of reporting them he locks them in so he can force them to become his crew. From making license plates to astronaut is a major career move even if it isn’t by choice. Of the criminals Lenny is the brains and Squiggy is the tag-a-long little weasel that bitches about almost everything. He is the plot device that you know is there to cause trouble until he dies in some sort of gruesome way which was a result of his greed or stupidity, and it can always be both.
With the convicts reluctantly agreeing to become Dirk’s crew, he begins training them for the mission and it’s a very short course. He even has uniforms for them. As they start all of the pre-flight checks, their activities register on equipment in the house making Steve and his girl June want to investigate. And as you guessed, they wind up going along for the ride. Of course later Dirk discovers they have come along and it’s a bit of a surprise for him, but Dirk has uniforms for them as well. That Dirk can do anything, build his own rocket, design and sew uniforms for people he’s never met. He is the epitome of American ingenuity and industry. It turns out the only thing he can’t do, is make a decent tie down strap for a big ass battery up on a high shelf. It is his undoing when the big battery breaks lose in a meteor storm and kills him when he heroically runs over to get under it. It’s a tough blow to the team, however in what seems like only a few minutes they land and everyone is happy, excited to explore, and of course now Dirk’less. He was a bit pushy.
Just after the death of Dirk, Steve spends a few minutes of contemplation with Squiggy about some of the strange things involving Dirk like how he knew about all the things that would happen on their trip. Then there was the small gift of jewelry as Dirk gave Steve a necklace. I was waiting for Steve to give Dirk a pretty pair of cufflinks or a team loincloth. All of this of course, is foreshadowing so we can get used to the idea that there may be more to Dirk including he may know more about the moon than anyone should.
The landing is very unspectacular consisting of a reverse of the launch set to a lunar backdrop, or Arizona if you prefer. When it comes time to explore, they don equally unimpressive space suits consisting of coveralls, basic crash helmets, and some metal tanks on their backs. Even when this was made, all of this would still seem unimpressive, but the film asks the viewer to momentarily suspend disbelief. Once you see what’s coming, the absurdity will make the suits, the pseudoscience, and ridiculous plot points pale in comparison. The secret is knowing that none of it matters except the giant spider.
So out on the surface they are having a great time wandering around the desolate nothing of the lunar surface. It doesn’t take them long to get into trouble when the moon rock men/creatures take an interest in them. There are two reasons this happens. The first is to inject some action in the story and secondly, so Steve and Lenny can show what the guns are for. Who wouldn’t go to the moon with a Colt .45 and a Luger. Does anyone really think that NASA had rifle holsters on the space shuttle like an old west stage coach. And the rock men! What if the rock guys were like the moon version of island girls at the airport in Maui bringing leis to the tourists. We will never know. Also as a bit of a rant, what the hell do rock people want with humans. That would make for a hell of a Nat Geo special or better yet, 9 or 10 hours of a rock on camera as David Attenborough goes into great detail on the exceptional sedentary life of the Rock People. Subscribe now!
Once in the cave they run into a new type of trouble when they are gassed and then later wake up in the moon people palace or club house. It is a matriarchal society headed by a blind woman called the Lido. This should be where the show gets interesting, but the laws of physics aren’t the only rules being broken here. This is the spot where we get to learn the back story of the moon people, Dirk and his group, or what his mission had been. We don’t learn much and it plays out like a bad TV game show – Who’s dumber, those that live on the moon or those that visit? Or we could try and see who is smarter than a giant cave spider.

So, just as we were about to learn they had been written into a corner the producers were lucky enough for June to blow the team’s cover. Now that means they have to escape even though they were never really captured or they were never blamed for anything. All of this sets off a series of unlikely events such as discovering treasure, a coup by murder, and a ridiculous execution scene. Well I think it was an execution. The moon chicks take June to the cave and tie her up to an alter before opening the gate to the spider den. Seriously, if you had just tuned in, it looked like the marriage ceremony from King Kong. When you consider the number of moon girls trying to wed Steve/Dirk, getting the Spider hitched wouldn’t be that far off. In the end one of the nicer moon girls takes their version of a grenade and blows out the big picture window and subsequently venting their atmosphere. The remains of our group get their gear back and break for their ship. Gary is obsessed by his greed and dies as he defends his bags of rough diamonds from the rock creatures. Everything should be fine now provided no one makes a sequel.
Lessons Learned:
·       The space program should be merged with the justice system.
·       Moon chicks are not as nice as they first seem.
·       Rock men/creatures want you. They don’t know why, they just do.
·       Women on other worlds always dress like unemployed figure skaters and gymnasts.
·       The first sign you are not that smart – you live on the moon!
·       You can lead a giant spider to them, but only the spider can make them a bride.

Monday, March 25, 2019

Review 2019-04 War Between The Planets (1966)





Director:
 Antonio Margheriti (as Anthony Dawson)
Writers:
 Ivan Reiner (story), Renato Moretti (story) (as Ralph Moody) | 2 more credits »
Stars:


Synopsis:
Natural disasters on Earth connected to equally disturbing activities on Space Station Gamma One lead scientists to believe it is something in space causing the problems and dispatches their best to deal with it.
Review:
Spaghetti Westerns were a big hit, because they were gritty, dirty, and as flawed as the characters in them. They made the expansion into the west look like dirty and hard business which is what it was like. So what would they bring to space travel and our future? In this case they made a great pizza but either forgot the cheese, or something gave us more than you can digest. To simplify all of it, you could say that this is like some very poorly executed parody of something a lot better, but I don’t think they ever knew that. Take it from me, you have been warned.

This was a hard one to watch, but not because of the usual stuff. This was so boring that I found myself wishing someone would be killed by some big incredibly fake looking rubber monster. What do we get? A space suit synchronized swimming production from a 50’s musical. I wouldn’t be shocked if they set up another scene featuring the cast on roller skates. The worst part of the space swim scene was the absurdity of the science, or rather lack thereof, because our poor intrepid space pioneers were knocked off the space station by a Space Wind. That’s right; I said a wind in space which is impossible, and a point made by everyone on screen.
The premise of this mess disguised as a Sci-Fi extravaganza is some crap going on out in space causing a bunch of natural disasters on the Earth, like earthquakes and floods, the usual act of God type stuff. The big General of the Space Command sends our big hero Commander Jackson, the boss of Gamma One, their biggest and best space station, to find the problem and fix it or blow it up. From a production and plot perspective the latter is easiest and good for the SFX Department. We sure know they didn’t blow the budget on the city or space port scenes. I’m pretty sure they just used models and parts from The Wild Wild Planet.

They don’t have a real reason for it, but the General in charge is convinced the problems on Earth are being caused by something in space. Despite a total lack of evidence it turns out the General is right. Commander Jackson and his team are out checking on an outpost and find it is no longer where it is supposed to be. In its place they find a very large red asteroid or rogue planet emitting strange plumes of green gas like it’s the rectum of our solar system (sorry L.A.). We never find out what is ‘behind’ the attack on Earth, and we don’t even get to see how this space ass is related to any of the stuff happening on the Earth. They make the occasional vague reference as to what might be controlling it, but we get nothing else. I’m sure that any more information would constitute a complicated re-write, and this plot is fragile enough with plot holes you could fly an Imperial Star Cruiser through; whatever the hell that is?
The Commander and his team realize they have to destroy or blow up this rogue planet which creates an opportunity for them to jump out and go down to the surface. It looks like a volcanic surface with vents that look a lot like cystic acne with noodles sticking out of them. You can just imagine what the marketing must have been for this one and I’m sure at some point they expected the wonder it will inspire as in I wonder why I paid to watch this stuff. But if you are old enough to remember a time without VCRs, then you also will remember a time when you would watch this sort of junk as a welcome relief to more adult leaning material. If you’re a millennial, I don’t know how you’d make it thought this one with eventually shifting to your phone where you can look up all sorts of interesting stuff like what the weather is anywhere but here, or look up some stock quotes. It doesn’t have to be great to be better than this to take your mind off it.
As per usual in these sorts of films we get to the point where the big hero gets to be the hero. This one is a bit different though. Commander Jackson never really does anything. That is except for synchro space swimming where there are 3 guys floating around to their death, and he managers to same two of them. I don’t think he gave much thought to the one that got away. That is sort of the theme here. Be a hero but not a really good one. Just good enough is our lesson from the future. Normally these stories are supposed to make us excited for a bright future, but we might want to give this one a pass.
Lessons Learned:
·       Most natural disasters are caused by space stuff.
·       Space heroes got girl troubles lust like everyone else.
·       The space wind is real, and it is not from Mr. Spock farting.
·       Space lava or gelatin? – They are both deadly.
·        You can save water in your space shower by showering with a friend, preferably a command officer.

Friday, March 1, 2019

Review 2019-03 Mesa of Lost Women (1953)







Directors:
Writer:
 Herbert Tevos (written for the screen by)
Stars:


Synopsis:
          A couple stumbles out of the Mexican desert and recall their tale of an evil doctor and his collection of deadly spider women and evil dwarfs.

Review:
          This is a tough one, but not all is lost. The good news is that it’s only 69 minutes, but the bad news is that it is 69 minutes of your life you will never get back. Have no fear because I have made the great sacrifice for you. Typically, I have to watch these things 3 or 4 times to write these reviews. I usually enjoy them a lot more than you’d think; just not this time. If this had been stretched out tot the usual 90 minutes, I think there would be some justification for a class action lawsuit provided enough people survived watching it through to the end. I seriously doubt that the numbers would warrant it.

          So… like the synopsis says, our show opens with a couple stumbling across a barren desert until a survey team rescues them. It’s a good thing too, because the woman is wearing heels and a past the knee length skirt neither of which was intended for hiking through the desert. But, the joke is on us because what we are seeing is actually the end of our story. It is their survival and eventual telling of the story, which is sort of strange considering when the flash back begins, it is told from some unknown narrator not in the film. Enter Dr. Leland Masterson.
          The narrator tells us when it comes to specializing in research; Masterson is the man, for now. I have to admit he seems interesting at first while providing us some nice little nuggets of exposition, but then he starts telling us stuff we didn’t need or want to know. It turns out Dr. Aranya is very interested in the pituitary gland and hormones, and so much so, that it makes me think this was developed for the drive-in crowd where hormones rule. As per usual the Dr. shows Masterson a girl spider, a few evil looking dwarfs, (what’s with evil scientists hanging out with dwarfs all the time?) and a bunch of hot spider/chick hybrids so we can see how busy he’s been. I know they are part spider, but they still look all girl and you don’t see many spiders with a rack like that (I’m sure some purvey producer suggested eight boobs).

          We find out that after turning down Aranya for some sort of evil doctor fellowship and having him say he can’t leave alive, we find out Masterson has been in an asylum for the last year. Masterson manages to escape from the asylum in style. He gets out by making a make shift rope out of his bed linen so he can go out through the window just like in a cartoon and just as impractical. After getting loose he makes a beeline to the nearest bar to get a drink and finds company in a pair of newlyweds in town due to plane trouble. The local entertainment turns out to be a spider/chick from Aranya’s clubhouse and Masterson shoots her during her dance. Then he takes them all hostage including his nurse George from the asylum who had been hot on his trail.

          Once Masterson finds out the newlyweds have a plane he demands they all go to it because he wants to fly.  There we get to meet Grant again, the other half of our desert survivors from the opening. Grant tells them he’s still having trouble with one of the engines and the plane can’t fly, but Masterson’s Colt .45 says different. With sirens blaring in the background they all climb aboard preferring a fiery crash in the desert to a bullet in the back. So with such subtle foreshadowing those of you more perceptive than a 3 year old can guess there’s going to be a crash on top of a mesa as mentioned in the tittle.

          No point in dragging it out much longer, they crash land on the same mesa the story started on. Masterson is so nuts, he doesn’t recognize the place he was on before, or he isn’t telling anyone about it. One interesting thing you’ll see from time to time in the film are curious close-ups that seem out of place. I don’t mean gratuitous boob shots or giant spiders. I mean these really strange close-ups where the backdrop doesn’t match the scene Some times it seems like they are there like a buffer between shots, but other times it seems they hold a bit too long like they were added for time. At 69 minutes running time, that’s a real possibility.

          A very strange and confusing part of the final 3rd of the film is the way we keep cutting back to Dr. Aranya and his thugs updating him on the progress of the crash survivors. At one point he seems to think they’re all acting in accordance with some elaborate plan he had no idea about until they crashed. The newlywed’s faithful man servant Woo seems to be on Aranya’s payroll as he reports to him faithfully before he sets the spider chicks on him. That’s a hell of a Double D severance package. I almost cheered when those chicks went after him so we wouldn’t have to hear any more of his fortune cookie proverbs, “For every man there is a day to be born and a day to die.” Woo is great at philosophizing the obvious in a very corny deliberate slow Kung Fu style so much that even Master Po would call bullshit on.
          I won’t spoil the ending for you, mostly because I don’t think I can since we started with the ending. I’ll say this much though, you won’t like it. Perhaps you might remember as a kid when you went to see a great movie, and thought the ending was great you were so sad it was over. This isn’t one of those movies. This is more like surviving some sort of horrible experience that everyone wants to say they were part of, but no one wants to go. Take a chance to be one of the few survivors.

Lessons Learned:
·       If you meet a chick named Tarantella you should keep looking.
·       Film Editors are real important.
·       The desert is barren and unforgiving except on top of the mesa covered in lush vegetation and spider/chicks.
·       Modern dance is alive and thriving in small Mexican towns.
·       Mi mesa, es su mesa.

Monday, February 11, 2019

Review 2019-02 Night of The Blood Beast (1958)






Director:

 Bernard L. Kowalski

Writers:

 Gene Corman (story), Martin Varno (screenplay)
  
Synopsis:
            Man’s first launch into space ends tragically when the orbiter crashes back to Earth killing the first astronaut, or it seems until he is reanimated by an alien force using him as a surrogate host for his/hers invasion babies.

Review:
          This is another one of those gems from one of my super 50 movie packs from Amazon. I thought this was going to be horrible and it sort of is, but it turned out to be a wonderful sort of horrible. In the beginning, they say the pilot Major John Corcoran was supposed to be the first man sent up to a satellite and then return, but not dead like they find him. It isn’t all that surprising when you consider we first see John in his ship in a G Suit instead of a Pressure Suit, so it was going to be death no matter what. Or as the man who found him said, “Looks like he bought it. All the way!” Of course the rest of their group finds this upsetting as they hear it come over the radio, but Doctor Julie Benson is a little more upset than the others since she is John’s new fiancĂ©. Their apparent leader Doctor Wyman consoles her saying they knew there would be risks and they’ve got a lot of stuff to do. They always say it’s in the pursuit of science, but there doesn’t appear to be much science stuff going on here. For the next while they spend a lot of time working on dead John; he confused them. From the examination the Doc realizes John isn’t breathing and he has no pulse, however Julie finds he has excellent blood pressure leaving them all with the same mystified look as my Doctor when he says my BP is both great and very suspicious. Our movie Doc says it’s impossible and he’s right, but we won’t let little details like that ruin a strange movie.
          As things progress they start having other problems such as their radio communications won’t work, their power is out, their vehicles won’t start, and finally their watches have all stopped just like for me, the film makes it feel like time has stopped; one insanely dull experience. It should come as no shock, nor be any sort of spoiler that John is eventually reanimated. Of course there are a few moments when they think there is something after them in the night. At the same time, Julie is examining a blood sample from dead John and finds his blood is very active and we are treated to a microscopic animation of the battle going on in his blood, done in the style of a cheap breakfast cereal ad from the ‘60s (I should know, I was there).

          So the first thing Zombie John does once he is up is kill the Doc or it is meant to seem like it, because we only get to see the aftermath when the body is discovered. Once John is fully up walking around, and scarring the shit out of the others, he confesses to have absorbed the Doc’s being. I know it doesn’t make much sense, but you are in good company, because the actors all look just as confused. You can only wonder if it was and extra page slipped into their script that day. Or it could simply be a matter of a page from a different script getting mixed up in theirs. I’m not convinced they would notice.

          Eventually John starts to act a lot more like himself except for his sympathy and understanding of the parasites growing inside of him. As he stomps around on his moral soapbox advocating for interplanetary relations the Blood Beast bursts in just in time to support the fears of everyone but John. As the Beast lumbers around waiting to be noticed, the others draw on it and start shooting while John pleads for it. No one seems to want or need to aim their guns despite their close proximity in the small room they are in.

          The others want to believe John’s claims about the peaceful nature of the Beast, so they decide to burn it alive with Molotov Cocktails. John helps them to track down the Beast to a cave, but he jumps ship to be with the Beast and learns about its secret plan to get it on with all of humanity and take us over for our own good. For some reason John has an epiphany suddenly understands he is the focal point of an invasion, while Julie is remorse at the thought of all the engagement gifts she is going to need to return. John demands they kill him along with the Beast and when they are slow on the trigger, he makes the decision for them by sacrificing himself so they can get the BBQ started. And the invasion is stopped and the Earth saved.

Lessons Learned:
  • Once you’ve been to space, you no longer need a heart to have great blood pressure.
  • Some guys will do anything to stay a bachelor.
  • The best way to get bad news is over the CB Radio with others listening and watching.
  • Getting knocked up by and alien is easy, but not as much fun as the way Capt. Kirk did it.
  • NASA scientists are trigger happy and lean heavy to pyro.

Thursday, January 24, 2019

Review: The War of the Robots







The War of the Robots (1978) 



Director:
 Alfonso Brescia (as Al Bradly)
Writers:
 Alfonso Brescia (story) (as Al Bradly), Aldo Crudo (story) (as Alan Rawton)
Stars:


          Synopsis:

Earth’s leading expert in genetics and longevity is kidnapped along with his assistant by aliens from a world with a dying population and no future in the hopes that he can solve their problems, but back home he’s left his latest work in the atomic oven that if left unchecked will destroy everything in 8 days.
Review:

          We start off with very little information on this one except to say, that despite all of the efforts of producers to spoil things, we still wind up with the notion the setting is some time in the future (I hope it isn’t mine). I could be giving them too much credit, since the word ‘Robots’ is in the title. You have to see this one to appreciate just how utterly unsophisticated their attempts were at bringing this future to the big screen. Now I don’t want to spoil the magic for anyone who hasn’t seen this one, but consider when you watch the blurry white blobs bouncing on a string in front of a black velvet backdrop try to imagine those that put up 4 or 5 bucks to watch this just one year after that stunning giant space ship that flew over your head in Star Wars.  Then they decided to hammer the point home with some sort of cheesy giant screen lava lamp reporting that their security satellites have detected a breach or something like that in Italian.
          Eventually they have to show us what caused the security alert, so we get to see a bunch of Robot men in gold suits with matching blonde golden locks, each sporting a Buster Brown hairdo. If you understand that reference it could be much more of a commentary of your sad life, and you should be out doing grown up stuff instead of being trapped by nonsense like this. It is both a curse and a joy to force myself into enduring these gems for others. A thankless job, but still a job and that’s how I explain to my wife when she asks why I watch this stuff. Plus I could say it’s better than doing the dishes, but this one would be pushing the line hard.
          As usual for these sorts of things, it all comes down to our big space hero Captain John Boyd and his special space team that don’t seem to do all that much other than follow him around. Of course there is a bit of a side drama going on with one of the girls on his crew waiting for him to notice her while he has a thing for the kidnapped professor’s assistant Lois. As a bit of a minimal spoiler, the professor and his assistant change what side their on so often it almost registers as a subplot until you start to realize it doesn’t matter one bit, but that happens much later on. In the mean time you have to suffer watching them battle more stuff hanging from a wire until their ship is damaged forcing them to land on a near planet with an atmosphere remarkably similar to earth’s. This turns out to be the perfect place to make some repairs to their ship while doing a bit of spelunking in the nearby caverns.
          They don’t get far into the caves before having to fend off a bunch of thugs with hoods to conceal that a thick membrane to protect them from radiation covers their eyes. The fighting is stopped when their leader Kuba, with his normal eyes intervenes to question the strangers, but is interrupted when the Gold Robot guys arrive to attack the locals, or are they after Boyd and his crew: we will never know. Even though Kuba and his people wanted to beat the truth out of them, Captain Boyd decides they should get involved and teach those gold guys a lesson that can only be delivered by their flashlight guns (the only way to describe them, they look like someone stuck a pistol grip on a flashlight and the special effect is when they light up). Kuba is impressed with their weapons for some reason,  and is convinced his suspicions were wrong. He also learns about their mission and they bring him along to help, because he just happened to have been a captive laborer on the bad guy’s planet and he knows his way around the palace.
          I won’t bore you with the specific details other than to say the professor changes sides so much you will be left bewildered. The thing to take note at this point is just how much this movie stole from others rather than sticking to a single idea. Even one of the posters for this film is a rip off of a scene in 2001, but it doesn’t stop there. At one point the flashlight guns stop working so they bring out the light/laser swords and I simply cannot describe how unimpressive as well as ineffective they are. Just when you think the stolen material is over they start stealing from Battlestar Galactica when suddenly a bunch of little fighter jet space ships come shooting out the ass of the main ship. That gives them a chance to zip around chasing each other shooting more light and crap. It doesn’t make a lot of sense at this point, but that could be the point. Was it ever meant to make sense? I won’t tell you how it ends, because I don’t remember or I don’t remember if I watched the end. You might like it, you might laugh at it, or like me you might just give up and let it die.

Lessons Learned:
  • The future looks sad, but the cars are cool and hideaway headlights are back in.
  • Just because your eyes are closed over doesn’t mean you don’t cut eyeholes in your mask.
  • If you meet an alien and he says he knows the way, bring him along.
  • Nothing says robot like a bad haircut.
  • If someone says, “Push the red button,” don’t do it.